Rather than add events after the ending, this prequel manages to add backstory without lessening the impact of the original plot. The real selling point is in the quieter moments that tell the story of Ellie and Riley. The combat is made more interesting with moments in which bandits and infected come together, posing a threat to each other as well as to Ellie, but loses its impact when it falls back on an unrealistic wave pattern. The other is set before she has met Joel, and has her exploring another mall with her friend Riley, focusing on conversation rather than combat. One storyline is where Ellie searches a mall for supplies with which to help the injured Joel, encountering bandits and infected along the way. It's heartening to see Naughty Dog ignore the naysayers when it comes to female protagonists and focus its only piece of single-player downloadable content (DLC) on Ellie alone. The moments of The Last of Us in which players control Ellie rather than main protagonist Joel are some of the most memorable in the game.
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